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The Lord of the Rings: The 10 Worst Movie Book Shifts

The art of adaptation is a cruel business. For a beloved property like J.R.R. The trilogy of The Lord of the Rings Tolkien is not limited to being victims when they move from page to screen. Peter Jackson calmly led the attack to bring Tolkien's rich Middle-earth world to life by adding some of his own artistic flowers. The King's Return Ring Society, Jackson has taken the highest of high fantasy concepts and translates them into three thrilling adventures. He just won three Academy Awards in 2004 for Best Picture, Best Director and Best Adapted Screenplay.That is, the films are not flawless. Fans of the books know how much Jackson left from Tolkien writing, especially his adaptation of the two towers. The characters are distorted, omitted from the underestimated key elements and important events, often to the less effective substitute.
Here are the 10 worst book changes to Lord of the Rings movies.

1. To a joke Gimli
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Unlike trilogy to his portrayal in Peter Jackson, Gimli is a tough warrior and a dwarf only. Although he is a fool in films essentially Tolkien put him as "an obscure character, usually only occasionally, to laugh, and although in some rare cases, entertainment, but never a joke." He certainly is not the idiot who thinks he can break the ring with a single blow from his ax.

If in the laughter of the community conversion to Gimli, it undermines the dwarven moments of gravity. Take the darkest moments of the Battle of Helm's deep links, which is the Battle of Normandy beach from Middle Earth substantially. Although Aragorn and Theoden prepare their men and their bark orders, Gimli is on the edge how to make cracked strength and laughing. There is room for humor, even in the most difficult situations, but not at the expense of Gimli's character, approaching caricature throughout the filming.

2. Pass the Shire Wash
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Long before J.R.R. Tolkien wrote at the end of The Return of the King, he planned to bring the epic circle of fantasy. Amidst the destruction of mighty Middle-earth, the region was not spared. Tolkien noted that "an image of the last decrepitude of the old flour mill, with its pool, which seemed so important to me." The picturesque image was Tolkien's own Shire, and he also had the hounds were destroyed.

When the Hobbits return home (in the books), they discover that their homes have changed their own lives so much. Saruman and his servant Wormtongue moved to Frodo's facility in Bolson, and the evil forces of Mordor moved to Shire. The last battle of the War of the Ring found in Bilbo Baggins's backyard, and sees that the hobbits bravely fighting and Saruman is the death he has always deserved. Although Hobbits are peaceful short of Shire's tongue Snake's neck and his master will distribute dead by a shower of arrows.

These sequences have added the already epic runtime of the film, but have the omnipresence of the evil Sauron demonstrated inspired. Without them making the movies that region than practically unchanged despite the apocalypse around them, which not only reduces the risks, but raises the question of whether Bag-end was out of danger, should not Frodo simply stay at home? Tolkien hanging entire story on this penultimate chapter because it represented during the war, even the most sympathetic people or the field are safe.

3. No Closure For Saruman
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Saruman is a central character in The Lord of the Rings, so why was the ending so unsatisfactory? Sauron may be the most difficult of all bad guy, but is caught in an eye presence for the whole trilogy. This leaves Saruman as the main enemy to take shape in the flesh, and once all the chaos caused in Middle-earth, you would think that Peter Jackson would have enjoyed the opportunity to take his death in the final movie.

In the theatrical edition of The Return of the King, all we say (by Tree Beard) is that the twisted wizard was locked in his tower, disappearing, until death comes to him. When the Ents had under her command, certain that she would be unhappy some form of punishment, instead of imposing a prison sentence. The species decimated the population, after all.

Unfortunately, Jackson decided not to close for the White Magician to give to save for more cut of his death, in Isengard. As the director himself admitted, "I reluctantly decide to save this sequence for the DVD The selection based on was made that most people assume that Saruman was defeated by the events of deep and Helm's Ent. End appropriate, it is strange, "take over", the fate of Saruman in the film. Trimming to Shire: This inconsistency can be explained by the lack of other key element books.

4. Escape ARAGORN a hero in HAMBRIENDO CAR
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If there was no model to compare with Aragorn movies, you can think of it as the ultimate hero. He is discreet, (relatively) early, and if you are struggling to convince bravely in the battle. This is all very well, but Aragorn as you can imagine from J.R.R. Tolkien is much more pronounced. More self-abominable in the movies, the Aragorn books unkempt, and almost reluctant leader is poised for leadership. More than any other man in history, Aragorn is the bearer of heroism. He does not withdraw his fate, nor does he question his role in the fate of Middle-earth. No, he embraces his role as Isildur's warm heritage. In movies, it always seems to have a foot out the door.

A shining example of heroism confused his decision Aragorn the heads unarmed emissary Sauron in the Black Gate. Although the creature is uglier than the sin and mocks Aragorn, Legolas and should never the heir of Isildur get his moral code broke and a messenger of peace killed Gandalf on the fate of Frodo, the "Mouth of Sauron." Tolkien would be such an act reserved only for the most famous characters in Middle-earth.

5. HUMANIZING GANDALF against the Witch King
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Speaking of King Warlock, if you have a scene to add in the fight with Gandalf, you can not let him win. Or if you are going to put the Wizards knees, do so after a glorious battle, love the kind of writers of fan fiction to create. For some reason, the extended version of Peter Jackson has the Return of the King a scene in Minas Tirith where the Witch King walk to stop Gandalf with Pippin flies. Though one of his greatest enemies in the present, Gandalf did not move, and instead sits on his horse to the shudder expecting Nazgul.

Kill. Witch King sends a magical force field from Gandalf to destroy and then thrown from his horse in a really humiliating way. It is a pointless moment that not only adds value to the film again but has zero relationship with Tolkien's books and reduces Gandalf's omnipotent power without even a chance to respond, to give.

6. Neutralization THE IMPORTANCE OF Merry and Pippin

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In general, Comic Relief is managed throughout the trilogy The Lord of the Rings and Peter Jackson and co-writer Philippa Boyens. Bring out Bilbo's 111th birthday to the end, Merry and Pippin laughing with their intrusive and audible. Unfortunately, the two hobbits are the Middle-earth puppet theater depicted far beyond the Tolkien borders. His wit and courage, unfortunately, lost in the shuffle. If for Merry and Pippin, Frodo and Sam were not they would never come with success in the region in the first place. Although they are out of their league long history, Merry and Pippin are quick to accept and learn as they go. In the movies, but Merry and Pippin are presented as accidental warriors who come to the community in a fantasy. In the books they need Frodo to come on the trip and, although hot Elrond to protest against his presence, Gandalf who insists on being accepted is.

Finally, it is argued in value that it has been neglected by the death of Éowyn important against the Witch King, the Merry contribution. Without his dagger and his mystical wave of daring, Nazgul did not weaken to such an extent that a single strike would end. Although the Cheerful films show the dagger on the side of the spectrum to bring down, he received no credit in the episode.

7. Notes ENTS Daft
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Despite the many missed opportunities, Peter Jackson's adaptation of The Hobbit achieved its calmer scenes, especially in moments of music. When the dwarves of the "misty mountains," a haunting and hypnotic Braman theme, all majesty in Tolkien's mind seems to thrive. It is particularly strange that Peter Jackson several minutes running precious time to see Thorin Shield of Oak hum an output melody when you consider that the rest of the movie is consumed by the CGI high frame rate.

It is not until Bart tree hobbits on a walk in the afternoon when he finally got the decimation of his colleagues testify Ents. Like Eowyn, he uttered a cry from Darth Vader-lite of the sadistic magician knows that his days are numbered. This is a slap in the face that created Tolkien's character for the first time. In the books, the arrival of Merry and Pippin comes just before Entebate where Barbary and Co. quickly decide to bring ruin to Saruman. There is no need to think about it because they are intelligent, experienced and proud of their people. The movies show the Ents have little or no agency, but rather serve as the filling time, while the rest of the plot unfolds kills.

8. Reduced almost all songs and POEMS
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Despite the many missed opportunities, Peter Jackson's adaptation of The Hobbit achieved its calmer scenes, especially in moments of music. When the dwarves of the "misty mountains," a haunting and hypnotic Braman theme, all majesty in Tolkien's mind seems to thrive. It is particularly strange that Peter Jackson several minutes running precious time to see Thorin Shield of Oak hum an output melody when you consider that the rest of the movie is consumed by the CGI high frame rate.

This moment is just one of the many songs and poems written throughout the text of The Hobbit and The Lord of the Rings. Pippin Music in The Return of the King is one of the most prominent in the Lord of the Rings trilogy, and Jackson used it with great effect. If only the original songs of Tolkien object of frequent use. Without suggesting that the trilogy a full-length music film would have benefited from the song Frodo in the Bouncing Pony or Aragorn's poem about Gondor. This is of great imagination, which Tolkien wrote after all for the same reason of such a long list of songs in the first place.

9. MAKING HEROES IN PRACTICAL ELAS
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For many fans of the film, the battle of the Abyss of Helm, the highest mark was two towers in the water. It was a confrontation in the rain of Uruk-hai furiously against an army of men and elves. It is a scene that is opposite to the best fights of Game of Thrones, but it is a pity that Peter Jackson strongly to interpolate the raw material and wrote basically the whole nature of the war. The most notorious of all, he relied on warrior Elven to fight against the Dark Army. To be clear, there were no elves for the Abyss of Helm in the books when the film a team of five hundred archers shows from Lothlórien to sent the scene of the fight.

Army Theoden consisted largely of "soldiers [I have seen many winters or very few." Of course, this does not mean it describes the presence of immortal popular Elf. In the battle of Horburg, Theoden did not shoot the luxury of a battalion of experienced archers dozens of bloodthirsty Saruman warriors. This is a recurring theme in The Lord of the Rings, the world of men shows that they strive to survive in a universe where everyone, even the elves flee to safety. This subtly benefits Theoden and Aragorn's deep Helms allows elves to save the day.

10. CASTING Hugo Weaving AS ELROND
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When we meet Elrond in the Fellowship of the Ring, which is about 6,500 years old. JRR Tolkien describes him as "noble and just as an elf-lord, as strong as a warrior, as wise as an assistant, as venerable, as king of the dwarves, and just as in summer." Briefly, Elrond is the total package . His debut on the big screen can be described as something of a sage, but pushes Elrond in a much more humane way than his elvish nature area can withstand properly. To be sure, he is as mortal as she is eternal, he can not quite god-like in appearance and be in nature.

Hugo Weaving, despite his entire talent and screen presence, may not have been the ideal role for an actor. His dullness and his ridiculous "Mr. Anderson" make him more militant than he probably thought Tolkien. Although dressed in the best clothes and insignia, the fabric looks more like a front-warriors than an old-fashioned board. It actually looks right at home in flashback scenes during the Battle of Dagorlad.

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